Horse With No Name. Em D6/add9/F# I've been through the desert on a horse with no name Em D6/add9/F# It felt good to be out of the rain Em D6/add9/F# In the desert you can remember your name Em D6/add9/F# 'Cause there ain't no one for to give you no pain Em D6/add9/F# la la la la la la la la la la la la. are you left-handed? America - Horse with no name 1971. Chords: Struming: Em / Em9: d/x d/u d/x d/u D 6/9 and Dmaj7: d/u x/u x/u d/u Verse1 Em D6/9 On the first part of the journey Em D6/9 I was lookin at all the life Em D6/9 There were plants and birds and rocks and things Em D6/9 There were sand and hills and rings Subscribe for more extended videosInscreva-se para maisLyrics :On the first part of the journeyI was looking at all the lifeThere were plants and birds and r A Horse with No Name: Directed by Adrian Patterson. With Lee Fraser, Cara Hrdlitschka, Sebastian Kroon. A drunk cowboy with nothing left to loose looks for answers in the empty desert with noting but a fast talking horse to guide him. . On the first part of the journey I was looking at all the life There were plants and birds and rocks and things There was sand and hills and rings The first thing I met was a fly with a buzz And the sky with no clouds The heat was hot, and the ground was dry But the air was full of sound I′ve been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain′t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After two days in the desert sun My skin began to turn red After three days in the desert fun I was looking at a river bed And the story it told of a river that flowed Made me sad to think it was dead You see I've been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain′t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After nine days, I let the horse run free ′Cause the desert had turned to sea There were plants and birds and rocks and things There was sand and hills and rings The ocean is a desert with it's life underground And a perfect disguise above Under the cities lies a heart made of ground But the humans will give no love You see I′ve been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain′t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la Home Features Classic Rock What price would any sane bookmaker offer on three American youths meeting one another in the UK, scoring a hit with a single that wasn’t even on their debut album’s first pressing, then becoming one of the biggest-selling acts of the 70s? Probably very long odds. But in fact it’s exactly what happened when guitarist/singer Dewey Bunnell, pianist/singer Gerry Beckley and guitarist/singer Dan Peek – all sons of US servicemen – crossed paths during the late price would any sane bookmaker offer on three American youths meeting one another in the UK, scoring a hit with a single that wasn’t even on their debut album’s first pressing, then becoming one of the biggest-selling acts of the 70s? Probably very long odds. But in fact it’s exactly what happened when guitarist/singer Dewey Bunnell, pianist/singer Gerry Beckley and guitarist/singerDan Peek – all sons of US servicemen –crossed paths during the late 60s.“Our fathers were stationed at an Air Force base in West Ruislip, just outside of London,” says Bunnell, composer of the song that would change their lives. Bunnell was actually born in the Yorkshire town of Harrogate.“We were fortunate to be in England at such a pivotal time in music,” he observes, “but our first album was also influenced by the best of the American bands – that whole magical, multi-layered vocal harmony thing.”The trio decided to call themselves America, and got a deal with Warner Brothers after a gig at London’s Roundhouse and some radio exposure from Bob Harris. Enlisting hot session men Joe Osbourne and Hal Blaine on bass and drums, they recorded their debut album at London’s Trident Studios. Released in January 1972, it did moderately of the material that appeared on America had been written on borrowed acoustic guitars, as the trio tapped into the slumbering West Coast zeitgeist of The Eagles, Crosby Stills Nash & Young and Linda Ronstadt. However, the group’s manager believed even bigger things were possible and sent them to Morgan Studios to add some extra Story Behind The Song: I Want You To Want Me by Cheap TrickThe Story Behind The Songs: Feel Like Makin' Love by Bad CompanyThe Story Behind The Song: Roll Away The Stone by Mott The HoopleThe Story Behind The Song: The Logical Song by SupertrampAmong them was a Bunnell tune called Desert Song that they had thought lacked hit potential. Later re-titled A Horse With No Name, it went on to top the American singles chart for three weeks in early 1972 and reached in the UK.“Everybody had a song called I Need You in mind as the single,” Bunnell chuckles. “It was initially felt that A Horse With No Name was good but perhaps a little too quirky. At first it felt like a bit of a novelty song. It was a shock that it became so popular.”Neil Young grumbled a little at the tune’s familiarity when A Horse With No Name displaced his own Heart Of Gold from the top of the US chart. Bunnell shrugs: “I never shied away from the fact that I was inspired by Neil, who was and remains a great hero.”With its lyrics of feeling ‘good to be out of the rain’, the meaning of the song was rooted in escape from the drudgery of everyday life in the city – not promoting drug use, as a Kansas City radio station that banned it wrongly assumed [‘horse’ being a slang term for heroin].“I’d spent time in the desert and always loved nature,” Bunnell says, “and being in rainy old England, maybe I mentally gravitated back towards all of that.”America notched up several more hits after relocating back to the US, and in 1975 achieved the considerable feat of outselling every other Warner Bros artist in their homeland. And yet a full decade separates the group’s other two British chart entries, Ventura Highway [from the trio’s second album, Homecoming, in 1972], and 1982’s You Can Do Magic.“We let things slide in Britain,” Bunnell rues. “We left it so darned long that we couldn’t get a gig in London.”In what Bunnell describes as “the first stumble of our career”, Baptist-raised Dan Peek quit in 1977 for religious reasons. But the remaining two ploughed on through both good times [which include being produced by George Martin and Janet Jackson borrowing the riff to Ventura Highway for her 2001 single Someone To Call My Lover] and bad [winding up on an independent label; playing in South Africa during the no-go days of apartheid].Although they did once try to drop A Horse With No Name from their live set, after promoters intervened it was reinstated and remains there they’ve released a Christmas album and a slew of compilations and live records, America’s creativity seemed to dry up after 1998’s Human Nature album. But help came along when celebrity fans Smashing Pumpkins guitarist James Iha and Fountains Of Wayne bassist Adam Schlesinger stepped in to co-produce their album Here & Now in 2007, which featured various guests including Ryan is mindful of the fact that people associate the band America with the likes of Bread, the Doobie Brothers and Chicago, but insists his band’s live show betrays the undesirable label of ‘soft rock’.“Being called ‘middle of the road’ used to make me flinch,” he admits, “but I’d like to think that we’ve carved out our own place in music history.” Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Dave’s life was shaped in 1974 through the purchase of a copy of Sweet’s album ‘Sweet Fanny Adams’, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word ‘Br***ton’. Disclaimer: is a free e-book repository. Our e-book is free for download. 2022 © all rights reserved. AboutWritten by Dewey Bunnell, this song was the band America’s first and most successful single, released in 1972. Originally titled “Desert Song,” then changed to the catchier current us a question about this songWhat have the artists said about the song?When confronted about whether the song sounded similar to Neil Young’s work, Dewey Bunnell acknowledged the similarities, but claimed he wasn’t trying to imitate the singer. He told Rolling Stone: I try to use a different voice so that I won’t be branded as a rip-off. It’s such a drag, though, to have to not sound like someone when you can’t help it in the first is A Horse With no Name about

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